The chaotic motion of the pencil on a sheet is pure energy. Which is expressed in the central movement is the point of greatest force that holds the tensions and intersections of the will of circulation, which gradually becomes peripheral. Mobility is a primary condition of change. After moving out the line tends to yield space, it follows a circular opening to where the energy density fades to give way to the size of the linear medium. From the pure energy of light chaos gradually switching the order of motion control. The child's awareness of the geometry is absent, then the circular forms are not a place but a geometric aspect container generated by the movement. Doodle by the circularity does not have an actual loss of energy, what you can talk about is rather a sort of transfer. The vital energy distributed on the paper in its pure state tends to move into the rational dimension of form subsequently fleshed out. For the child, the circular shape is never an end in itself but the definition of a space to fill. The relationship between center and periphery at this point is the relationship between content and the definition of it. The transition with a linear medium container (surface effect) to that of color design (linear passive) involves the relationship between size and weight of the contents of the container. It 'been said that the medium is linear in the first place so far, while the straight person, because color is first weight and second color quality. The order awarded implies the rationalization of the event, be it flower, tree or leaf. Delimited a space that is now building a personal area within the given space, the appearance of vertical and horizontal is already abstract synthesis. The subsequent insertion of the oblique line, complete in its essence the system representation. It will be sufficient at this point look out the window to realize the abundance of vertical and horizontal oblique lines that draw the map of the city. The child draws on the paper when the house, traces the contours and captures the essence of drawing is not what he sees, but what he knows. It may seem strange, but we see only what we know.
To our eye at 12 frames a second has already seen a movie. This trivial consideration we need for us to enter into an interesting chapter on optical illusions. We know that a film film is nothing but a long sequence of images. The first illusion in which we are passive players is just watching a movie. Once you understand the functioning of the report eye - brain, any sleight of hand may very well succeed. A good magician is basically as a weapon speed of execution and the ability to make eye fixed point in an area not affected by the action. What seems to us impossible actually happens before our very eyes, in this case, shows the limit that allows the development process without being recorded and then decoded. The actions that the brain processes take place at regular speed. The brain system, as fast, takes time to convert the stimulus from the retina image. Let's say you get used to the need for our daily existence requires. If the action is slow enough to understand the illusionist trick, it means that in these cases is the element of speed to set the rules illusionist.
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