For the cycle "review the old movie" The Dark Knight appear here!
It is not a title of "old" but came out a while ago and I must say, this time, my post is really unnecessary in the sense that it is a film that everyone already said everything, and I believe that almost no one, may not have seen.
But I do not care and I'll tell the same. Although compared to "Dead Poets Society " there are definitely more special effects, more spectacular (but not chick, Maggie Gyllenhaal to me not just poking at all) are other things that I have captured in this film.
First of all it is certainly, as all agreed, the interpretation of Heath Ledger, exceptional. A psychopath Joker really, with that tic licked his wounds as he talks, how to talk, his nervous laughter and hysterical, his unpredictability, that air mysterious, man without a past. It was really scary, not because it was particularly strong, gifted or mega-amenities, but because watching those eyes had the clear, clear, impression that he was capable of anything.
Then there is the figure of Batman, which conveys a strong sense of belief, of sadness, because the superhero is not expected, not celebrated and adored, is banned. The final scene, in which he hunted down by dogs fled into the night, after a heavy and important decision like the one that was forced to choose, perfectly sums up that aura of loneliness that brought along for the whole movie.
other reference that I can not refuse to do is to Lieutenant Gordon, who hit me for the courage, strength which makes it transpires. Well initially, can find a place in the right arm as a figure of Batman, but later on, going up to catch the Joker, now goes into a area off-limits to him. So a simple person is put on the front lines to fight with superheroes, without being able to count on any kind of immunity, power or special protection. It seemed too much.
It 's true, overall, the film is not without some kind of typical American, that the deflate a little, but manages to capture the very same, engage and excite the public., Breaking decisively from the now famous concept of "film on great superhero comics