Yesterday evening, at the Gran Teatro di Padova (new and unique location, which opened recently) I went to see Corrado Guzzanti.
premise that I knew him more than anything for fame and for some character who had glimpsed the various blob and other "collage" but that is why I was intrigued and determianto want to go see.
And I have not regretted it at all. First of all to be commended in the meantime the "dedication" of the artist, who became a 4 hour show (from 9.45 to 1 with a pausetta middle) and it must be said, not quite all, then definitely the crackling performance, a beginning with Tremonti and aristocratic snobs who throws his mask and reveals that side cynical and evil that all suspected, and prorpio this can make us laugh. Bertinotti then, that I had ever seen, hilarious, with a total indifference to politics and an unbridled desire to binge. It's fun because it is able to paint it very well as a character.
The main characters were then interspersed with sketches by his and Marco Marzocca (Filipino Ariel Zelig), where raging categorically and without mercy on the character of Marzocca with a satire called "scathing" call an understatement.
And here is the most beautiful thing I say, because as there are too many comedians in television of talent there, in a theater, where he was truly free, you are clearly aware that there was no comparison, they did really satire, not looking at anyone. Definitely not recommended to those addicted to television, political correctness and various other bullshit.
Last note, the many references (and consequently the inevitable attacks) to the church and religion, with the figure of agghiaccainte theologian but also various references to the political (understood in the deepest sense) that really make you think more than laugh, make thinking. The most important task, and noble of the plaintiff, to show us our faults lightly Guzzanti has complied fully, disseminating the show alerts, messages, invitations to take conscience of the world around us, I just hope that it was not the only one to catch them.
I realize I have written very and I would not have bored you, but voevo add the latest comments on the site, the Grand Theatre. How
location is strategic (area ex-slaughterhouse, during Australia) so convenient and accessible, as well as isolated (so you can do all the casino you want, so do not complain about anyone), and scheduled guests are really , is very interesting (Paolini, Fiorello, Grillo, Cristian de Andre and others who can not remember). Note demerit prices a little thieves do tnto for tickets at 5 € Parking and 3.50 of a small beer are very many, but s can not have everything in life
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